...Imagine a world in which there was no United States during the last 15 years. Iraq, Iran, and Libya would now have nukes. Afghanistan would remain a seventh-century Islamic terrorist haven sending out the minions of Zarqawi and Bin Laden worldwide. The lieutenants of Noriega, Milosevic, Mullah Omar, Saddam, and Moammar Khaddafi would no doubt be adjudicating human rights at the United Nations. The Ortega Brothers and Fidel Castro, not democracy, would be the exemplars of Latin America. Bosnia and Kosovo would be national graveyards like Pol Pot's Cambodia. Add in Kurdistan as well — the periodic laboratory for Saddam's latest varieties of gas. Saddam himself, of course, would have statues throughout the Gulf attesting to his control of half the world's oil reservoirs. Europeans would be in two-day mourning that their arms sales to Arab monstrocracies ensured a second holocaust. North Korea would be shooting missiles over Tokyo from its new bases around Seoul and Pusan. For their own survival, Germany, Taiwan, and Japan would all now be nuclear. Americans know all that — and yet they grasp that their own vigilance and military sacrifices have earned them spite rather than gratitude. And they are ever so slowly learning not much to care anymore.

In fact, an American consensus is growing that envy and hatred of the United States, coupled with utopian and pacifistic rhetoric, disguise an even more depressing fact: Outside our shores there is a growing barbarism with no other sheriff in sight. Any cinema student of the American Western can fathom why the frightened townspeople — huddled in their churches and shuttered schools — almost hated the lone marshal as much as they did the six-shooting outlaw gang rampaging in their streets. After all, the holed-up 'good' citizens were always angry that the lawman had shamed them, worried that he might make dangerous demands on their insular lives, confused about whether they would have to accommodate themselves either to savagery or civilization in their town's future, and, above all, assured that they could libel and slur the tin star in a way that would earn a bullet from the lawbreaker. It was precisely that paradox between impotent high-sounding rhetoric and blunt-speaking, roughshod courage that lay at the heart of the classic Western from Shane and High Noon to The Man Who Shot Liberty Valance and The Magnificent Seven...